Remember back when I didn't have three very awesome jobs, I was in a serious life depression, and I used to share music I was digging on this site that two people ever visit?
Well, life is good and I stay busy, but I thought I'd bring back an exclusive, once-in-a-decade Song Of The Day post to evoke those days. Also, this one is just SO GOOD.
Last night at dinner, the family sat down to watch the Netflix documentary on the recording of the smash 1985 single "We Are The World." Everyone who was anyone in the mid-80s (well, except for Madonna and Prince) was involved in this recording, which was marketed both to promote and provide funding for the hunger crisis in Africa.
The documentary is called "The Greatest Night In Pop" and it tells the story of how 40-plus musicians in their prime spent a whirlwind nine-hour recording session right after the 1984-85 American Music Awards creating what would eventually become one of the best-selling singles of all time.
There are many memorable moments in the 96-minute documentary, from encounters between Lionel Richie and Michael Jackson's numerous pets to Waylon Jennings walking out of the session after Stevie Wonder suggested including African phrases in the song to cater to a more global audience.
Without a doubt, however, my absolute favorite moment in the session came after the all-star chorus was finished recording, and producer Quincy Jones made sure to recognize then-living legend Harry Belafonte for his pioneering work in using music to advance social causes.
Al Jarreau, Smokey Robinson, Stevie Wonder, and others then led the who's-who group of singers in an impromptu singing of Belafonte's signature single "Day-O (The Banana Boat Song)" as a tribute to the legendary singer and social justice advocate.
The following clip was surely used in the documentary, as it was recorded as part of the song's Grammy, VMA, People's Choice, and AMA-winning music video. The specific clip, however, seems to come from a newscast after the song's release. Before watching, know that the assembled artists take until around the 42 second mark to really get going, and around the 1:14 mark to really get in sync:
If you know anything about Wonder or Charles, this line will make you roll on the floor in laughter. Also, note Robinson's reaction just a beat or two later.